Frieze

Frieze is a contemporary art magazine, published eight times a year. It was founded in London in 1991 and is renowned for publishing essays, profiles, interviews and reviews by today’s leading writers, artists and curators. Across all platforms and live events frieze elevates the provocative, brilliant and leading voices who shape and challenge today’s art world.

CONTRIBUTORS

Editor's Letter

Frieze

Madeleine Hunt-Ehrlich • To Do: What's on the agenda for the art world's most booked and busy?

Glow in the Dark • One Take: Kl Abudu assesses Valentin Nouja"im's anti-imperialist romance Oceania (2024)

Secrets, Restraint • On Set: Madeleine Hunt-Ehrlich reveals Black women's lives and desires on film as told to Vanessa Peterson

Without Permission • On Set: How Kevin Jerome Everson makes a film on the spot as told to Carlos Valladares

Stepping Out • On Set: Saodat Ismailova recounts coming of age in a world of cinema as told to Saim Demircan

Fill in the Blank • On Set: Maryam Tafakory uses censored images to reimagine Iranian film history as told to Cici Peng

Writing on the Wall • On Set: Talia Astakhishvili and James Richards's films and slide shows distort architecture by evoking memories

Features

'I found a way to speak through videos that confessed their constitution and their artifice.' • Interview: Ahead of Ed Atkins's first UK survey at Tate Britain, the artist talks to Hans Ulrich Obrist about the uncanny intimacy of digital avatars and why writing remains the foundation of his work

INDUSTRIAL ACTION • Roundtable: Five experts - curators, programmers, artists and academics - debate the changing role and visibility of artists' moving image in the art world and film industry

Diego Marcon • Profile: Blurring the lines between horror and humour, Marcon's films revel in the grotesque, the futile and the eerily familiar

The Present Tense • Exploring the lasting influence of Agnés Yarda's Cléo from 5 to 7(1962)

Fast Cuts • Essay: How to teach a class on archive filmmaking

Asia Pacific

Europe

Americas

Reviews

Danielle Dean and Dan Guthrie • Spike Island, Bristol, UK

Bruno Zhu • Chisenhale Gallery, London, UK

Joan Snyder • Thaddaeus Ropac, London, UK

Asian Goisum and Peng Zuqiang • Emalin, London, UK

Claudia Martínez Garay • GRIMM Gallery, London, UK

Les Levine • Ulrik, New York, USA

Michael Asher • Artists Space, New York, USA

Char Jeré • Andrew Kreps Gallery, New York, USA

Cady Noland • Glenstone Museum, Potomac, USA

The Living End • Museum of Contemporary Art Chicago, USA

Bethany Collins • Seattle Art Museum, USA

Leslie Hewitt • Perrotin, Los Angeles, USA

Gabriel Orozco • Museo Jumex, Mexico City, Mexico

Asia Pacific Triennial of Contemporary Art • Queensland Art Gallery & Gallery of Modern Art, Brisbane, Australia

Kader Attia • Jim Thompson Art Center, Bangkok, Thailand

Ryuichi Sakamoto • Museum of Contemporary Art Tokyo, Japan

SAGG Napoli • Basement Roma, Rome, Italy

Marie Matusz • Kunsthalle Basel, Switzerland

Wei Libo • Frac Île-de-France, Paris, France

Racheal Crowther • Galerie Noah Klink, Berlin, Germany

9-5, 5-9 • Room Room, Copenhagen, Denmark

Gabriel Chaile • Tabakalera, San Sebastián, Spain

Postcard from London • Out of Office: On Donald Rodney and the coming of spring